Emily and Ceirnan’s wedding was the second I have had the pleasure of photographing at Glemham Hall. A building full of character with beautiful gardens and grounds surrounded by the gently rolling farmland of rural Suffolk. Sadly the rain came in at about the same time as the wedding ceremony so we didn’t get much chance to use the gardens for photos or get any aerial shots but Emily & Ceirnan certainly weren’t going to let the weather spoil their day.
I started the day’s wedding photography with a quick wander around the grounds and the marquee before heading into the main hall and upstairs for preparation shots of Emily and the girls getting ready, as you can see – at this point the weather was beautiful!
This week I was lucky enough to be commissioned to spend two days documenting the building of a wind turbine in East Anglia. We were incredibly lucky with the weather (both for the photography and for the fact that the wind speeds allowed the construction to go ahead without delay).
It was a multi media commission involving aerial stills & video using the drone, dSLR video and stills plus GoPro and timelapse cameras.
Below are a small selection of the stills taken on my drone and dSLR’s, I also got some cracking aerial video footage from the drone (the lovely weather, dramatic skies and photogenic nature of the turbine helped!). I really enjoy the commercial photography aspect of what I do and it gets me to some amazing places as you’ll see in the final few images in this blog post!
Yesterday evening, just before England went on to lose to Iceland in the Euro’s, a large gathering of North Norfolk’s finest appeared on Cromer beach for a photo which makes you proud to be English once again! I’d been asked to do by the organiser – RNLI Lifeguard Manager Vince Pank to come along & photograph the lifeguards but the shot grew & grew as Vince called up more & more organisations and it turned into a pretty monumental image (if I do say so myself!)
Vince did a terrific job of getting so many people to be present for the photo which included Sheringham & Cromer’s RNLI lifeboats & crews, the RNLI lifeguards & Face to Face teams, HM Coastguard teams, Cromer Fire crew, representatives from the East Anglian Air Ambulance, East of England Ambulance Service, Norfolk Police, Broads Beat and many more.
Luckily enough one of the HMCG team, Christon Iliffe also happens to have the same drone as mine and was able to fly my drone to capture some superb aerial shots while I perched on the stepladder and got the shots from closer to ground level!
Just a short trip down the road for me is Emma’s father’s farm just outside Holt where we started the day’s photography for Emma & David’s North Norfolk wedding. With a thick mist surrounding us it wasn’t looking promising for the day’s weather but the weatherman had promised sunshine so would he deliver?
The day started with the bridal preparations, everyone was in great spirits and staying positive for that big yellow thing in the sky to make an appearance…
Last Saturday was the first time I had photographed a wedding at The Boathouse, Ormesby. I’d heard great things and they are getting an insane amount of wedding bookings there each year despite having only started offering weddings fairly recently so I was looking forward to Kelly & Christian’s wedding.
I arrived early so I had a wander around the grounds to familiarise myself with what we had to work with and it was a feast of great views across the water, a beautiful outdoor setting for the ceremony and some great opportunities for photos…
Amazingly for all of the weddings I’ve shot at Chaucer Barn since being a full time Norfolk wedding photographer (11 years this year!) this was the first one where the service was held in the beautiful gardens. It was touch & go as to whether they would risk having the ceremony outside right up until the last minute but I’m so glad they did. It may not have been a blazing hot afternoon but it was great to be outside!
So after a wander around to get some scene-setting shots and say hello to everyone I headed upstairs to the lounge on the landing where I was really pleased to see their hair & make-up artist – the legendary Amanda Steed had set them up in front of the lovely big windows at the end – great light for me too!
Now that’s some l-o-n-g hair!
I had to spend a little time getting some good shots of the shoes, I mean, Manolo Blahniks deserve it!
…and then on to some shots of Chris, the groom, his two sons Cameron & Alex and future father in law Kevin.
Flowergirl/bridesmaid Rosie looked gorgeous in her ‘princess dress’ and was raring to get the wedding started!
The guests arrived en masse on a coach and Chris & the chaps were there to welcome them…
Once again the inimitable Dai Harrhy was the registrar, this time responsible for the serious business of writing the wedding certificate, but before the serious bit started Dai tried to surprise me while I was doing some other shots. You’ve got be quicker than that Dai!
While the guests awaited the arrival of their beautiful bride they enjoyed a drink on the lawn with a spot of football & table tennis thrown in!
There seemed to be a lot of finger pointing at the presentation of the wedding certificate!
Not only were we treated to the service on the lawn but we also had the speeches in the garden which was a really nice change (and gave me loads of freedom to move around for shots)…
…and before long it was time to be seated and for the guests to enjoy an amazing meal cooked by the lovely & talented team at AlexChef – one of Norfolk’s very best wedding and event catering companies.
The table names were film-themed as you may have gathered from the shots below!
…and finally on to the first dance (well, finally for me, the party continued long into the night), with the entertainment and live music provided by a lovely bunch of people known as The Blue Lion Band.
Always nice to finish with a kissing shot, although in a break from the norm this is the groom kissing his father in law after a mix up with the father-daughter, mother-son dance! Chris & Lisa’s Chaucer Barn wedding was so much fun to photograph, so many funny moments and plenty of very poignant moments too. Thank you all so much for making me feel so welcome, it was an absolute pleasure to play a small part in your great day. I hope the joy, love and laughter of your day comes across in these photos. x
For the full gallery of Lisa & Chris’s Norfolk wedding photos please click here. As a special limited offer I have reduced all reprint prices by 50% for one week from today until 4th June. That’s HALF PRICE prints for one week, don’t delay!
Norfolk wedding photographer • Wedding photographers in Norfolk • Chris Taylor Photo
When I’m not being paid to take photographs I still enjoy taking landscapes and thought I’d share a few recent ones I’ve taken in Norfolk and on our recent trip to Northumberland & Durham.
I’ll be producing a 2017 North Norfolk Landscapes calendar again (missed 2016 as I was too busy tending an allotment which seemed to revert to a weed garden the second we turned our backs, sadly we decided to give it up as it was taking up way too much time). Some of the shots here will appear in the calendar but I have plenty more to get and a few others which I’m holding back. I hope to have the calendar finished & ready to sell in a few more months time, watch this space!
This first shot is of the iconic Cromer pier at dawn, I love how the image has a very quiet feel to it almost.
Next is this shot of snowdrops at the National Trust’s Sheringham Park – this was actually the same morning as the above shot, once the sun had risen more. I positioned myself to backlight the snowdrops with the sun so that the light shines through the petals & stems a little.
Cromer pier again, this time at sunset (although it does look like the sun is behind the pier to the East it’s actually behind the camera and the light is the sunset’s sunlight bouncing back off the clouds).
The below shot was just something I spotted while walking along Sheringham prom, the gates in the groynes are there to allow the coastal protection team to open them to allow the flow of stones at certain times of the year but here someone has very artistically stacked the stones up. I like the different textures and colours of the flints and the old weathered groyne.
We are lucky enough to have fulmars nest on the cliffs here at Sheringham. They are very curious birds and will fly quite close to check you out so I took advantage and took a few shots of them swooping about in the wind…
A couple of weeks we had some stormy weather and some quite dramatic squalls passed through, moving along the coast, I was out on the saltmarsh at Morston (part of the stunning NT Blakeney Point reserve) when this one came through. Luckily just as I got back to the car the heavens opened, there’s not much cover out on the marshes so I was pleased with the timing!
I can never resist a shot of Cley Mill if I’m passing when the light & skies are looking good. Not much more to say about this one!
Just to mix things up a bit (and keep my flying skills fresh) I take the quadcopter out with me and try to get some aerial landscapes too. This was a beautiful morning to be photographing Cromer Pier (again!) from the air…
Last one of Cromer pier I promise! Sunset again with a long exposure to capture the motion of the tide coming in.
Last week we took a trip up north to Durham and Northumberland, myself & Leanne had both always wanted to see the Angel of the North so it was a lovely surprise when we discovered it was only 5 miles from our hotel (and even better that we had the statue to ourselves!)…
While up north we took a day trip out to the Farne Islands, sadly it was a really foggy day so we didn’t get to see the islands in all their glory but enjoyed getting so close to the amazing (and very smelly!) wildlife. Below is a Shag on her nest…
This female Eider duck had her nest right next to the path, didn’t seem fussed at all by the constant influx of human visitors…
…and back to North Norfolk – these last shots are very fresh – this morning I was up at 4am to head to Wells beach for dawn, the forecast had been good and it didn’t disappoint…
I’d never been to the famous Foxley woods to see the bluebells before so when Louella & Adam requested their pre-wedding shoot in the woods in the height of the bluebell bloom season I jumped at the chance.
It really is an amazing and beautiful spectacle with the carpets of bluebells extending as far as the eye can see, well worth a visit of you’ve never been.
We had a lovely hour or so wandering through the bluebells & getting a nice collection of shots for Lou & Adam….
Venturing into deepest Suffolk for Fiona and Daniel’s wedding, I was once again pleased to see we had lovely weather for what turned out to be a cracking wedding!
The day’s coverage started at a little church just outside Woodbridge, Daniel and his family had arrived in good time which made for a nice chilled start to the day – much better than turning up with minutes to spare & rushing about!
As always I had a quick chat with the boss – in this case the lovely Father John to ensure I worked within his rules (there weren’t any, woohoo! Although it didn’t change what I do, I never use flash during a service, cameras are always on silent mode in church and I am very careful to keep a low profile, be respectful and not disturb proceedings at all. If only all photographers would try this, it would certainly help our profession’s reputation with the men & ladies of the cloth!)
Before we knew it Fiona arrived with her father Stuart and the serious bit got underway…
After a lovely service we all hopped in cars to the wedding reception at Suffolk’s beautiful Seckford Hall, a stunning luxurious hotel with lovely grounds for photography…
I took 5 minutes to ‘bung the drone up’ for some aerial shots of the hall & grounds, I hadn’t even realised there was a golf course just behind it until this point!
So, drinks and group shots done it was time to head inside for the meal and speeches (an hour earlier than originally scheduled, I work fast when I need to!) …
After the food and some great speeches, we made the most of a spare ten minutes to nip out to the front of the hall for a few more shots with Fiona and Daniel and Daniel’s usher Matt who was an excellent human flash stand. (Thanks again for your help Matt, much appreciated!)
And on to the final part of the day – PARTY TIME! Commencing with the first dance which Fiona & Daniel had clearly practised, they did a great job.
I wish I could remember the name of the band they sounded awesome (maybe Fiona or Daniel could let me know, I’d love to give them a shout out here).
Thank you to Fiona and Daniel and all of their family and friends for making the day so fun to photograph and for making me feel so welcome, a truly lovely bunch of people!
For the full gallery of this gorgeous Suffolk wedding please click here.
Suffolk wedding photographer • Wedding photographers Seckford Hall • Seckford Hall wedding photography • Wedding photographers Suffolk
We’ve had some interesting skies recently here in North Norfolk and earlier this week I saw a squall pass through and had a feeling that the light behind it was going to make an interesting shot. I grabbed some gear and headed over to Cromer for a shot of the pier. Since posting some of the shots I’ve been asked by a few people about how the shot was made, what equipment I used, etc. so I thought I’d do what will hopefully be the first of a regular series of blog posts detailing how the photograph was created.
I’ll aim to keep the format of these ‘Infoposts’ the same throughout and am always happy to answer any questions which I may not have answered in the post. Feel free to drop me a line to email@example.com
Camera: Canon 5d MKIII
Lens: Canon 16-35mm f2.8L MKII (zoomed to 23mm)
Tripod: (my tripod of choice is the Manfrotto 055 with Manfrotto grip ball head – best tripod I’ve owned – really well built, sturdy and packed full of useful features)
Lee Filter system: the 100mm Lee Foundation Kit with Heliopan Circular polariser & 0.6 ND grad filter (soft grad) – all purchased from the lovely people at Teamwork Digital
Shooting mode: Manual
White balance: Cloudy
File type: RAW
Tips & Tricks
• To feature the water & rocks in the foreground I had the tripod legs at their lowest.
• Use the in-camera level (if your camera has one) to ensure the horizon is as level as possible, although this can be straightened in post-processing if necessary
• The milky look of the water flowing between the rocks is achieved by the slow shutter speed allowing the movement of the water to blur. In my experience the water generally looks better as a wave is receding – usually it has more bubbles and can create nice streaks of movement.
• To prevent moving the camera when pressing the shutter button you can use a remote shutter release (either cabled or remote controlled) but I prefer just to set the camera to the 2 second delay timer so I press the shutter button two seconds later the camera releases the shutter with no movement from me.
• Beware of the water coming in and moving the camera as it moves around the tripod legs – also it can cause the legs to sink into the sand which will create some blurring.
• I set the White Balance in camera to Cloudy which will bring back the warmth to the image since the camera auto white balance will try to take out any colour casts (ie. make a sunset look less warm) and is often the cause for people being disappointed in the look of their sunset images. Since I am shooting RAW files this isn’t really important for the final image as I can change the white balance in Adobe Lightroom to bring back the warmth but it’s nice to be able to see how good the images can look in the back of the camera.
The first stage of the post-processing is to select the best images to process (no point loading all of them into Lightroom if I’m not going to use them). Once I have my folder of keepers I load them into Adobe Lightroom CC to bring out the best in the image.
The first thing I do in any image processing is to ensure the image is level, if the horizon is visible then ensuring that is level is the best bet. Then I will crop the image if needed. The rule of thirds is a good composition rule to work with in landscapes but by no means a hard & fast rule. In the two shots in this post I’ve placed the horizon dead in the middle of the frames as I think the sky and beach have equal importance in the shots.
The next steps are just to work through the various sliders in lightroom to ensure the brightness, contrast & colours of the image are how I want them to look. I will often tinker with the white balance to bring back more warmth in a sunset if needed. Make sure the white & black points are at either end of the levels graph.
Since I’ve shot this image at f22 there is a good chance that any dust on the sensor will show up as little spots in the sky so I remove them now using the Spot Removal Tool.
Finally I sharpen the image using the sharpen settings and export it as a jpeg.
I don’t want to go into too much detail here on the Lightroom settings as the aim of these posts is mostly about getting it right in camera as much as possible but I do offer one-to-one workshops covering every aspect of photography from the basics of exposure through to post-processing. These can be tailored for the experience level of the student from absolute beginner through to aspiring professional. Please contact me if you’d like to discuss the options & pricing.
The below is another shot taken the same evening, a little earlier on when the sun was lighting the back end of the squall more intensely…
For more information on my Norfolk photography training workshops click here.
FOOTNOTE: A few people have asked how this shot can be sunset when the sunlight appears to be coming from the East (behind the pier) – the clouds in the shot are being lit from the sun behind me (setting in the west) which is where the confusion comes from. I promise this was sunset not sunrise!